Twentieth-century art has often been characterized as a sweeping break from the tradition of painting. All the major art movements, from Cubism and Dada to Performance and Installation, were initiated as reactions to the centuries-old tradition of representing the world visually in recognizable ways. New definitions of art and the countless ways in which art can be made and exp...(展开全部)

Modern art, reflecting and defining new intellectual, scientific and technological developments, has radically extended the conventional media of sculpture and painting. Following innovative ideas about representation and the free use of materials in Cubism, Futurism and Surrealism - particularly in the work of Duchamp - artists abandoned strict adherence to traditional hierarc...(展开全部)

Modern art, reflecting and defining new intellectual, scientific and technological developments, has radically extended the conventional media of sculpture and painting. Following innovative ideas about representation and the free use of materials in Cubism, Futurism and Surrealism - particularly in the work of Duchamp - artists abandoned strict adherence to traditional hierarc...(展开全部)

This work describes art in the age of digital communication. Artists have always been early adopters of emerging media technologies, from Albrecht Durer and his use of the printing press in the 16th century to Nam June Paik's experiments with video in the 1960s. In 1994, the advent of the Internet as a popular medium catalyzed a global art movement that began to explore the cul...(展开全部)

This work describes art in the age of digital communication. Artists have always been early adopters of emerging media technologies, from Albrecht Durer and his use of the printing press in the 16th century to Nam June Paik's experiments with video in the 1960s. In 1994, the advent of the Internet as a popular medium catalyzed a global art movement that began to explore the cul...(展开全部)

Between 1974 and 1990 more than thirty countries in southern Europe, Latin America, East Asia, and Eastern Europe shifted from authoritarian to democratic systems of government. This global democratic revolution is probably the most important political trend in the late twentieth century. In The Third Wave, Samuel P. Huntington analyzes the causes and nature of these democratic...(展开全部)

This book provides a detailed historical and design analysis of the development of parks and modern landscape architecture in late 20th century China. It questions whether the fusion of international influences with the local Chinese design vocabulary in late 20th century China has created a distinctive and novel approach to the design of public parks. Hybrid Modernity proposes...(展开全部)

罗伯特•罗森布鲁姆（1927-2006）：美国著名艺术史大师、评论家，耶鲁大学学士、纽约大学博士，在普林斯顿大学、耶鲁大学、纽约大学、牛津大学、密歇根大学等都曾任教过，曾担任古根海姆博物馆馆长。 H.W.詹森（1913-1982）：美国著名艺术史家，西方艺术史的传奇人物，哈佛大学艺术史博士，曾任纽约大学教授、系主任。曾任美国艺术院校协会主席，参与创办了美国文艺复兴学会并任主席。詹森主要从事文艺复兴和19世纪艺术研究，1962年出版艺术通史《艺术史》，因其深远影响被奉为全球四大艺术通史之首。

罗伯特•罗森布鲁姆（1927-2006）：美国著名艺术史大师、评论家，耶鲁大学学士、纽约大学博士，在普林斯顿大学、耶鲁大学、纽约大学、牛津大学、密歇根大学等都曾任教过，曾担任古根海姆博物馆馆长。 H.W.詹森（1913-1982）：美国著名艺术史家，西方艺术史的传奇人物，哈佛大学艺术史博士，曾任纽约大学教授、系主任。曾任美国艺术院校协会主席，参与创办了美国文艺复兴学会并任主席。詹森主要从事文艺复兴和19世纪艺术研究，1962年出版艺术通史《艺术史》，因其深远影响被奉为全球四大艺术通史之首。

Now full color throughout, this matchless survey of nineteenth-century painting and sculpture begins with the French revolution in 1776 and ends with the dawn of a new century at the Paris World Fair in 1900. In addition to the ample treatment of geniuses such as Ingres, Courbet, Manet, and Monet, readers will find full coverage of master artists from around the globe--Australi...(展开全部)